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Graduation
by Shirley Roma Charlton
A Watercolour from Life
This watercolour was painted from Life in the royal Art Society group. The model was feeling sick so she only sat for half an hour. I felt I had not finished but one of my fellow artists said leave it frame it. I took their advice and also sold it. Click here to read or post comments. Farmers Chat
by Shirley Roma Charlton
Loose Style *Farmers Chat*
I was questioned by one of my students on how to loosen up and I suggested that they gave themselves less time to complete a painting like I have to when I am doing a demo. BUT it does not mean that you give yourself less planning - lots of planning and less painting allowing the colours to mix on the paper. Click here to read or post comments. FISHING ON LAKE MALAWI
by Shirley Roma Charlton
Fishing on Lake Malawi
Memories of Lake Malawi the lake of stars and my birth place. I believe one cannot get the transparency through any other medium I love transparent watercolours and have my own web site www.shirleycharlton.com where you can see more. I love teaching watercolours and seeing what students can do. Click here to read or post comments. 3 MALAWI BOYS ON THE SANDS OF LAKE MALAWI
by Shirley Roma Charlton
MALAWI BOYS ON THE SAND I love to paint the kids they are SO poor and yet always smile, they do not have toys and a stick or a leaf or just an old can with some stones in becomes their toys. This is a painting is on a full sheet of watercolour paper ( for Sale) see www.shirleycharlton.com all proceeds will help to give these kids (Aid orphans.) food- Click here to read or post comments. Fetching Water by Shirley Roma Charlton
by Shirley Roma Charlton
FETCHING WATER My heart is still in my Birth place Malawi and not far from Blantyre is one of the poorest villages called Man yo we Village. They have no water and have to walk 12k to get dirty water. My aim was to sale paintings to get the $8,000 for a water borehole. This is one of the paintings for sale of a Malawian woman walking those 18k to fetch water. I tried to keep this painting fresh and clean and something I seldom do I kept the background as the pure white paper. How blessed we are to turn on a tap. Click here to read or post comments. Out of Africa by Shirley Roma Charlton
by Shirley Roma Charlton
OUT OF AFRICA This was a large half sheet watercolour but I painted it in a watercolour demo. Sometimes when you are teahing you give ALL and do not always paint how you want, as it is more important for Students to get the hang of watercolurs than for the teacher to do a perfect finished painting. When I got home I cropped it and added more darks and now it is framed. www.shirleycharlton.com So never throw away your watercolors until you have zoomed in and seen if the is part of it worth saving. Click here to read or post comments. Wet sandby Shirley Roma Charlton
Wet Sand I don't often glace but here i did and enjoyed getting the wet sand. Starting with the Lemon Yellow then Indian Red last Cobalt bule. It is best to have 2 weak glazes and one stronger one. you have to make up your mind if you want more purple finish or orange. Click here to read or post comments. WET STREET
by Shirley Roma Charlton
WET STREET I find that if more than three glazes are applied then the painting is in danger of becoming too dark and muddy. I tend to let each glaze dry before applying the next. Glazing really lends to the subject of sunsets. Here it worked well in Wet Street the crowds were painted by rolling my bush and then painting heads and a suggestion of legs they are too far away for feet. www.shirleycharlton.com Click here to read or post comments. Malawian boys
by Shirley Roma Charlton
Malawian Boys I paint for Malawi and all the proceeds goes to Manyowe Village one of the poorest villages in the world. Malawi has a fresh water long inland lake and it has been fished out. Click here to read or post comments. Malawian Mother.
by Shirley Roma Charlton
Malawian Mother Painted on Arches cold press with a lot of opera rose. I even painted a wash of opera rose under the dark skin to help it to glow. Also I always mix my darks with ultramarine blue and burnt sienna not on the palette but allow these two colours to granuate on the paper. Click here to read or post comments.
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