My Favorite Watercolor Palette
By Mary Ann Boysen
You'll notice that I use paints from several manufacturers. My
watercolor palette changes every year or so because I like to try
different ones as I discover
new colors that I like. Experimentation is part of the learning process.
All of these companies make fine pigments that are of lasting quality.
My
favorite palette (at this writing) is a very transparent one and makes beautiful
and vibrant secondary and tertiary colors. I sometimes add other colors if I
need a special “local” color that this palette cannot produce.
If find these colors work well together, but I have many more
pigments available to me in my studio, and especially when I travel to areas
that may have a different look to them than the landscape in my home
environment.
My Second Favorite Palette
My second choice of colors gives my paintings a much different look. Perylene
Maroon is a rich color that deepens the hue of many others. In this palette, I
have used it with Cobalt Blue and Hansa Yellow.
This
next one is an opaque triad made of Indian Red, Yellow Ochre and Cobalt Blue Deep. My preference over French Ultramarine Blue, which is most often the third
opaque color in this triad. This palette works well with opaque subjects: pottery, old buildings, stones and
masonry.
Other
colors that I frequently use are Permanent Sap Green with Perylene Maroon to
make a rich warm brown.
For
accents I use Cadmium Red Light and Turquoise.
Mixing
the turquoise with Cadmium Yellow makes a spring green shade which is useful in
that season.
And
when Cadmium Red Light is mixed with Cadmium Yellow, the result is a Cadmium
Orange.
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